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Tyler Eash (b. 1988, Marysville, California, USA) lives and works in London. He is currently in the final year of his MFA at Goldsmiths, University of London and completed his BS at University of California, Davis. Eash has exhibited across both the U.K. and the U.S. Forthcoming exhibitions include Penny Dreadful at Seventeen Gallery, (London, U.K., 2019). Most recent exhibitions include Allusion to a body that is no longer present at Swiss Church and for Kunstraum and Block Universe (London, U.K., 2018); A Handful of Uncertainty and Joy at Chalton Gallery, (London, U.K., 2017).
Education:
Goldsmiths, University of London, MFA
University of California, Davis, BS
Selected Exhibitions
2018 "The Domestication of Wolves", Goldsmiths MFA Interim Exhibition, London, UK
2018 "Allusion to a body no longer present", for Kunstraum and Block Universe, St Giles-Without-Cripplegate, Barbican, London, UK
2018 "All places shall be hell that is not heaven", Deptford, London, UK
2018 "Allusion to a body no longer present", Swiss Church, London, UK
2017 "A Handful of Uncertainty and Joy", Chalton Gallery, London, UK
2017 "Full Moon in the Daytime", R/SF Projects, San Francisco, CA
2016 "DEMO", #* Collective, Ridge Space, Oakland, CA
2016 "How to be a Ghost", Safehouse Arts, San Francisco, CA
2015 "Waterfall, waterfall", Better Gallery, San Francisco, CA
2015 "Nonfiction", #* Collective, San Francisco, CA
2015 "Glossolia", Movement Research, Judson Church, New York, NY
2015 "Ebb & Flow", Pro Arts, curated by Cesar Garcia and Naima J. Keith, Oakland, CA
Publications & Features
2019 “Allusion to a body no longer present”, commissioned by the UK embassy of Switzerland and the Swiss Church in London
2018 Issue #7 April, Figure/Figure,
2017 Interview with curator Angel Rafael Vasquez Concepcion
craniumcorporation.org/2017/08/15/interview-with-artist-tyler-eash/
2017 Cranium Corporation
2016 Curator Christian L. Frock Review, SF/Ats
Tyler Eash
Installation view
2019
Tyler Eash
Installation view
2019
Tyler Eash
Installation view
2019
Tyler Eash
Rubber wellington boot, concrete, steel , machine detergent jug, worn cotton coveralls, resin, jesmonite, faux oil paint finish by Pierre-Yves Morel
Dimensions variable
2019
Tyler Eash
3D printed ceramic of Caligula, hand re-sculpted face
19 x 27 x 23 cms
2019
Tyler Eash
Horse hoof, ceramic, jesmonite, motorcycle muffler
62 x 13 x 10 cms
2019
Tyler Eash
Top
Minotaur
Rubber dipped glove cotton glove, jesmonite, pipe clamp
25 x 7 x 12 cms
2019
Bottom
Codpiece
Nautilus shell with metal chain
(chain variable dimensions)
45 x 10 x 17 cms
2019
Imogen-Blue Hinojosa is an artist born in Corpus Christi TX, currently residing in London, U.K. In 2015, Imogen-Blue graduated from the Maryland Institute College of Art, and is now a MFA candidate at Goldsmiths, University of Art in London. Through her use of the deeply personal lived experience, Hinojosa allows the viewer to consider the vulnerable, reflecting trauma as a means to breaking down barriers.
Education:
Goldsmiths University of London, London U.K, MFA Fine Art
2011-2015 Maryland Institute College of Art, Baltimore MD, BFA Photography
Solo Exhibitions:
2015-Wes: Let the Record Show, Gallery 1301, Baltimore MD
2015- ( ): A Live Performance Event, Gallery 1301, Baltimore MD
Group Exhibitions:
2019 - Penny Dreadful, Seventeen Gallery, London, U.K.
2018- Water jets were used at the four corners of the building, Art Academy, London, U.K.
2015- Macho Menos, San Francisco LGBT Community Center, San Francisco,CA
Performances:
2015- Wes: Let The Record Show, Gallery 1301, Baltimore MD
2015- ( ), Gallery 1301, Baltimore MD
Awards:
2018- Savile Club Artist Grant
Imogen-Blue Hinojosa
Installation view
2019
Imogen-Blue Hinojosa
Perspex
102 x 127 cms
2019
Imogen-Blue Hinojosa
Perspex
102 x 127 cms
2019
Imogen-Blue Hinojosa
Installation view
2019
Imogen-Blue Hinojosa
Installation view
2019
Imogen-Blue Hinojosa
Installation view
2019
Born in Buenos Aires, Ana Kazaroff completed her MA in Fine Art at City & Guilds of London Art School in 2016. Her work uses painting, installations and events to explore authenticity, hybridity and cultural mistranslations. Ana’s work has been featured in various locations across both London and Buenos Aires in spaces such as the Griffin Gallery, The Interview Room, Central Saint Martins, Deptford X Fringe, Centro Cultural Ricardo Rojas, and has also been published in the Spanish zine The Fall. A former mentee of Claudia Fontes, Ana recently received an artist woodwork fellowship from City & Guilds of London Art School
Ana Kazaroff
oil on sapele wood veneer
20 x 26.6 cms
2015
Ana Kazaroff
acrylic on wood
50 X 80 cms
2018
Ana Kazaroff
oil on sapele wood veneer
20 x 26.6 cms
2015
Ana Kazaroff
acrylic on wood
50 X 30 cms
2018
Ana Kazaroff
acrylic on wood
38 X 35 cms
2018
Ana Kazaroff
oil on waxed paper
43 x 33 cms
2015
Ana Kazaroff
oil on sapele wood veneer
20 x 26.6 cms
2015
Installation view
2018
Installation view
2018
Jennifer Martin (b. 1990) is based in London, working with moving image, photography, and installation. Her work operates in part as interventions and articulations of largely social-racial dynamics and lived experiences;
an underlying provocation of a call to relook is threaded throughout Martin’s practice. A driving question of Martin’s recent work involves the role of art and media, more broadly, in the social and psychological construction of race and its intersection with representation, agency, nostalgia, and identification.
Jennifer Martin
Film still
2019
Jennifer Martin
Film still
2019
Jennifer Martin
Film Still
2019
Jennifer Martin
Film still
2019
Jennifer Martin
Film still
2019
Jennifer Martin
Installation view
2019
Alicia Reyes-McNamara completed her MFA at University of Oxford Ruskin School of Art in 2016. Her work has been included in the Bloomberg New Contemporaries 2016 exhibition at the Bluecoat in Liverpool and later at the Institute of Contemporary Art, London. She was recently awarded the South London Gallery Graduate Residency 2016-17 with her exhibition ‘Nowhere Else’ being shown at the first floor galleries in the of spring 2017. Alicia was recently awarded the 2017 Peer Forum opportunity at Camden Arts Centre and has also been invited to be a part of the 2018 Communal Knowledge at The Showroom in London. She is now looking forward to her residency, through Gasworks and Triangle Network, this summer at Kiosko, Bolivia
Alicia Reyes-McNamara
graphite on paper
59 X 42 cms
2018
Alicia Reyes-McNamara
plaster, wood, cotton, polystyrene beads
143 x 280 x 27cm
2017
Alicia Reyes-McNamara
oil and acrylic paint
106 x 122 x 4.5 cms
2017
Alicia Reyes-McNamara
acrylic paint, ceramics, floor vinyl, oil paint, plaster, wall paper, wood
300 x 500 x 400 cm
2016
Installation view
2018
Working between London and Los Angeles, Gray Wielebinski’s practice encompasses collage, animation, sound, video, performance, and illustration. Currently an MFA candidate at The Slade School of Fine Art, their work explores gender, sexuality and the intersection with other structures of power and identity. Gray is inspired by the glitch, queer temporality, podcasts, quantum mechanics, Jennifer Lopez’s Green Versace Dress at the 2000 Grammy Awards, male bonding, conspiracy theories, queering the archive, clowning, and Surrealism. Shortlisted for the 2018 New Contemporaries, Gray’s work has been exhibited across the globe having been featured in both online and print publications such as Dazed & Confused Magazine and AQNB. Upon the completion of their MFA this summer, Gray has been invited to be the Hong Kong Baptist University Artist in Residence, winter 2018
Gray Wielebinski
2018
Gray Wielebinski
Installation view
2018
Gray Wielebinski
Installation view
2018
Gray Wielebinski
2018
Gray Wielebinski
2018
Gray Wielebinski
2018
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