American artist Gray Wielebinski’s “Shaved in Opposite Directions” utilised sports, specifically baseball, by appropriating its iconographies to interrogate themes such as national identity and “Americana,” desire, myth making, childhood, fashion, gender and the body. Simultaneously combining and blurring the lines between reality, memory, dreams, queer utopias and media representations, the exhibition questioned how the framework of the locker room occupies our cultural imaginations